Author Spotlight: DIANA DUFF

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The genius of Diana Duff’s writing is its elegant simplicity. “It seems such a strange thing to be doing, I thought, however ordinary the surroundings: waiting in a coffee shop in Oxford Street with the London traffic roaring outside, for my mother, whom I would not recognize when she finally arrived.”

With a path that led her from South Africa to Ireland, Uganda, Kenya, and Tanzania, Ms. Duff’s page-turner memoir, Leaves from the Fig Tree reads more like an adventure novel, submerging us in the vastly different worlds she has known with a story of isolation, travel, rebellion, love, and freedom.

At age 2, she was transported from South Africa to her family’s historic estate in rural Ireland, County Cork, in a Victorian estate called Annesgrove (originally Ballyhimmock), built in the 1700s.

A descendant of the brother of the Earl of Annesley, Diana’s pedigree isolated her as a child within the rigid confines of Victorian life in rural Ireland, with no siblings or other companions except a series of ill-equipped governesses, juxtaposed with the expansive freedom and wild magic of the Africa that called to her again and again.

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I talked with Diana from her home in Johannesburg about her story and her writing path:

You were quite the globe-trotter! You went to Kenya from Ireland at age 18, then stayed in Kenya and Tanzania until you were 30, when you went to South Africa. What do you remember most about Africa in your early days there? There was a freedom there that allowed people to live an eccentric way of life doing their own thing. During that time, it was not a very structured society, and it was a fantastic place to live. People were really individuals, they didn’t try to fit into any social system or way of behavior, and they didn’t need to. Kenya was my freedom.

How did living in the midst of the Mau Mau rebellion in Kenya impact your view of the world? I was so young, I didn’t really appreciate the dangers. But we certainly lived in the middle of it all.

In thinking about writing mechanics, is there one thing that you consistently see writers getting wrong? Nowadays there is a tendency to overdo the shock tactics, and maybe that’s required the way the world is now. It seems that authors feel pressured to write about sensationalist topics rather than writing what they feel strongly about, what moves them. And those books aren’t like art and it’s less of a pleasure to read them. In Isak Dineson’s Out of Africa, for example, you can really see the people, you can feel them.

Which is your preference for the books you read – fiction or nonfiction? What are you reading currently? Though I read mostly fiction now, I’m also reading Heat by Ranulph Fiennes and The Story of an African Farm by Olive Schreiner.

Since you’ve seen so much of our world, what do you think is most different about it now compared with when you were younger? Politics, power and money seem to be the ruling factors today. A drive towards material wealth takes all the color out of life  and is not at all appealing. But there are still magical places in the world. Where I work, we have a lovely Moonlight Market – an evening, outdoor organic market with organic foods and lots of gems and minerals, which attract amazing people with amazing stories. Stories are the common thread for me, for everyone.

Everybody’s interesting. Every single

person has got a story to tell.

At age 85, Diana still works – at Bryanston Organic Natural Market, an organic outdoor market and gem and mineral store, where she meets fascinating people every day. “Today I met a man who’s building a life center on Green Island (Queensland), I met two Americans, someone who’d gone to Malaysia on a canoe trip, and someone who’d been gored by a hippo.” And she has written another story (fiction this time), which takes place in Tanzania.

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Diana’s book, Leaves from the Fig Tree is published by Rebel e Publishers in Kindle, paperback, and other digital formats and can be purchased on Amazon.

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Thank you for reading! If you’ve enjoyed this post, please Like or Share it with other readers and writers 🙂

Author Spotlight: J.H. BOGRAN

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picture1Author J.L. Bogran is a novelist and screenwriter born and raised in Honduras. The son of a journalist, the writing craft is clearly in his blood as evidenced by his media success and list of prolific projects. His debut novel, Treasure Hunt, was selected among Preditors and Editors’ Top Ten in a reader’s poll. Today we’re talking with him about Poisoned Tears – his forthcoming third novel, his writing process, and his other passion: screenwriting.

You’re bilingual in Spanish and English. How did you learn English and how do you decide which language to write in?

Just as practice will get you to Carnegie Hall, the same goes for learning English. I started with basic grammar and conversation practice at a local school, but later my jobs required me to speak English for extended periods of time. First as a front-desk clerk at a hotel, then working in the garment manufacturing industry, where I had to work with people from all over the world. And although I’m a professional translator, I don’t like to work on my own stuff, so the first thing I decide is the language to write the piece. That clears the path for all the decisions that follow.

Do you read in Spanish or English?

I read books, newspapers and almost anything in both languages.

Where did your inventive idea for Poisoned Tears come from?

My wife likes to watch animal shows on TV. One show listed the top ten most dangerous animals. That triggered the idea of “what if somebody used an animal to hide a murder?” I developed the idea further, and it later became an outline of the book. Part of my research took me to New Orleans. I had the notion that my character hated the city but wasn´t clear on why…until I saw a game in the Superdome and thought losing a pro-football career there would make the person hate the venue, and the city by extension.

What does Knox, your protagonist, struggle with the most? And what does he have in common with Sebastian Martin, the main character in your novel Firefall?

Alan struggles a lot, first with his own hatred of the city, then the police rejecting his theory on a serial killer prowling the city. Later he partners with a journalist, only to discover that he doesn’t like the opportunistic writer. Although not directly mentioned in the book, Alan Knox has a younger brother named Bill, who happens to be Sebastian Martin’s boss. So the connection is slim. In terms of what they have in common, they’re both tortured souls, both widowers, and reluctant heroes.

How did you get started writing screenplays?

That can only be attributed to serendipity. A few years ago I ran a video store, and one night a customer dropped by asking if I had any old Buster Keaton movies. Surprised that I even knew who Mr. Keaton was, we started talking about movies, and he told me he was working on a TV project. I volunteered, and first he gave me this look of “Oh, damn, not another guy who thinks he’s better looking than George Clooney!” But when I confessed that my passion was for writing, he told me he was down one writer on his team and offered me a job on the spot. So far, I’ve been a writer for two motion picture scripts, and co-writer for three TV serials. Most recently, I wrote the script for the movie 11 Cipotes (11 Kids), which was considered a contender for the 2015 Oscars in the Foreign Film category. The movie is about a bunch of kids driving everybody crazy in a small town in Honduras. A man studying to become a priest takes the kids to form a soccer team, and then they are invited to a championship in the big city. It’s the adventure of their lives. You can see the trailer here.

Are you disciplined about writing? Do deadlines bring out your best or worst writing?

I wish I were more disciplined. It’s funny how my own creations take a lot of time to finish, but if I do work-for-hire, like a screenplay, I’ll wrap everything up before a deadline. I once finished a first draft of a movie in just four weeks.

Do you write on a computer, sitting properly at a desk, or longhand on coffee-stained napkins in a noisy cafe?

A combination of all of the above, actually. And it depends on the job at hand. For a screenplay, I’d have to sit and type it because of the formatting. However, for novels or short stories, I would write chapters in a notebook, then take a picture of each page and save it to my Dropbox just in case I lose the notebook. Typing them into a computer gives me the extra benefit of doing a first round of edits simultaneously.

What’s your next project?

This is a tricky question to answer, and one I usually avoid. A couple of times my actual next project turns out to be different from the one I described in a previous interview. I’ll compromise and say I’m working on a couple of projects; a sequel to Firefall, a joint project with marvelous British writer Steven Saville, and I’m currently in negotiations to take on another script. So which one will see the light first? Only God knows!

Any favorites in your choice of pens?

Ballpoint I guess. Now, for signing books there’s nothing better than a classical fountain pen!

About Poisoned Tears, forthcoming on March 15, 2017:

Retired Dallas private investigator Alan Knox dislikes New Orleans so much he won’t even drink Abita, the local beer. It all goes back to the day his knee and his promising pro football career were wrecked in a Superdome game with the Saints. But when his estranged son calls and asks for help finding a missing fianceé, the guilt-ridden Texan heads for the Big Easy where he soon finds himself in trouble up to the tops of his snakeskin boots. What starts off as a missing person case turns into a hunt for a serial killer who uses exotic poisonous animals to dispatch his victims. Painfully aware he can’t go it alone, Knox joins forces with an over-the-hill journalist and an unfriendly police detective as he navigates the dark streets and seedy bars in search of his prey. Great plot, colorful descriptions of NOLA and well-drawn characters. Poisoned Tears is full of so many twists and turns that it will make your head spin long before you get to the heart-thumping surprise ending. –Paul Kemprecos

J.H.’s books are published by Rebel ePublishers.

For more information about J.H. BOGRAN, check out www.jhbogran.com, and follow him on these sites:

Thanks for tuning in today, and now…countdown till March 15th!

Author Spotlight: MARILYN MEREDITH

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For this month’s Author Spotlight, I’m happy to introduce you to longtime teacher, speaker, and award-winning crime novelist, MARILYN MEREDITH.

Marilyn has written over 30 novels in two ongoing mystery series – her Deputy Crabtree series and her Rocky Bluffs P.D. series (written under the name of F.M. Meredith0. As one of the earliest adopters of ePublishing, all of Marilyn’s books are available via Kindle. But we’ll get to more of that at the end of this post. For now, let’s hear directly from Marilyn about her books, her characters, and her writing process.

Of your many activities and contributions to our literary world, which brings you the most happiness and fulfillment? (writing fiction, writing nonfiction, teaching, speaking) Though I certainly love writing, I truly enjoy teaching and speaking about writing, and talking to young people about writing is particularly satisfying.

Of the writers you’ve admired in your life, who had the biggest impact on your writing career? One of the first published writers I became friends with was Willma Gore, who was in the critique group I joined. She taught me more about writing than anyone else or any of the writing classes I attended over the years.

Where did your idea for the character Tempe Crabtree come from? Is she based on you, or someone you know personally? Tempe is actually a combination of three women: A Tule River Indian I met who grew up on the reservation and is the one I see as Tempe, a resident deputy who told me about her problems as the only female, and a police officer who was a single mother who I did a ride-along with. All three have strong personalities.

What has Tempe Crabtree taught you over the years you have been writing her stories? If someone is in danger, Tempe will rush in to help regardless of her own safety. I’m afraid I’m not that brave—though in my younger years I did much of the same.

Did you plan your Tempe Crabtree and Rocky Bluff series’ ahead of time, or did you write a standalone novel and thereafter decide to bring back the same character for another book? (and another, etc.) With both series, I didn’t know that I would continue on when I wrote the first books. I fell in love with my characters, and the only way to find out what would happen to them next was to write another book, and on and on.

What advice would you give to new writers about how to navigate the publishing world? Things keep changing. You have to find out what is going on and what path would be the best for you to take. Though I have been published by one of the New York publishers at the beginning of my career, I’ve gone through several small publishers with both series. If self-publishing the way it is today had been available, I might have gone that direction. For those thinking about doing that, it is most important that a professional editor goes over your novel before you publish.

Do you maintain a strict writing process, and can you share some details of how you stay motivated and on track with your writing goals and publishing schedules? I wish I did have a strict writing process—but life often interferes, as do other writing jobs. I do try to write at least a few hours five days a week, but I’m not always able to do so. I’m a great list writer—I keep track of what I need to do each day, writing and everything else. I also keep a calendar that I check each morning so I don’t forget anything important.

What is your forthcoming book about? I’m almost finished with a first draft of an as-yet untitled Rocky Bluff P.D. mystery. In this one, two of the characters are named after two people who tied in a contest to have a character named after them. It’s been fun, because I do know these folks and their characters are nothing like either one. The plot is about the murder of two people—the mayor, and an old lady.

About Marilyn’s Latest Book: Seldom Traveled, which was released in August 2016:

The tranquility of the mountain community of Bear Creek is disrupted by a runaway fugitive, a vicious murderer, and a raging forest fire. Deputy Tempe Crabtree is threatened by all three. Tempe Crabtree is a female resident deputy in the mountain area surrounding Bear Creek which is located in the Southern Sierra. She is also an Indian (she like, others in the Tule River tribe prefer Indian to Native American) and at times she receives spiritual insights. Seldom Traveled is the latest in the series and was inspired by the fact that a fugitive on the run disappeared in our area, a spark of a story about a murder in a mountain community, and the fact that the area is prone to forest fires.

Available in Paper, Kindle, Barnes and Noble, and from the publisher, http://mundania.com/

Marilyn’s website and blog: http://fictionforyou.com/ and http://marilynmeredith.blogspot.com/

Please post any questions or comments, and thank you for reading!

Always keep the writer vibe alive…

 

Author Interview: CAT CONNOR

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If you don’t know her already, I’d like to introduce you to successful, New Zealand-based mystery/thriller author, CAT CONNOR, and the star of her highly acclaimed Byte series – Ellie Conway.

Did you invent Ellie Conway, or did she find you and ask you to tell her story? I saw a video in my head. I could not see the main character but I could hear her. I had no idea what her name was, but I knew she was FBI and she was living in Virginia. She never really introduced herself, she just showed me scenes and expected me to keep up. I only knew her screen name until another character called her by name. Which was a little bit weird, but fun for me. The other thing is that I didn’t know what she looked like for a long time. Everything she shows me is from her point of view so I couldn’t see her unless she looked in a mirror. She doesn’t so much ask me to tell her stories as show me video of scenes that don’t let up until I write them down. She is fun, though. Her sense of humor is great so I enjoy having her in my head.

Did you consciously set out to build a series around Ellie, or was the first book a standalone and then you later decided that Ellie had more to tell? The first book was a standalone based on a ‘worst case scenario’ after some real life chat room death threats. My rights to my book Killerbyte were tied up in the bankruptcy of my first publisher, and a very wise author (Jeffrey Deaver) told me to write another book while I was waiting/fighting to get my rights back. So I did. Turned out Ellie had a lot more to tell me. So I wrote another one … and by the time I signed with Rebel I had three of the Byte novels under my belt. So the answer is no, I never set out to write a series. Ellie just has a lot to say, and every time I think we’re done, something new pops up. She doesn’t like to tell me everything at once. For example, all the way through this series Ellie has mentioned New Zealand. We know she likes the place and she vacations in NZ, and that she’s worked there (both undercover with the CIA and also with the FBI), but it’s not until the 9th book that everyone will find out a bit more about her ties to the country.

Is Ellie you, and what do you personally have in common with her? Ellie isn’t me. I wish I was her. She’s someone I’d really love to hang out and drink tequila with. We share a birthday (Dec 12), we both dislike honey, although Ellie really hates it and I can tolerate it, if I’m sick. We are both a wee bit smart mouthed. Physically we are the about the same height and body shape – that makes it easier when I’m writing some scenes. For example, I know that (when both are standing) if someone is six foot tall, Ellie can look them in the eye quite easily but if someone is six foot six she needs to lift her chin to do that. But no, she’s not me.

What would you tell a mystery writer who writes standalone books if they want to write a series? Do you do a lot of planning to keep track of what you write about Ellie from one book to another? If you were planning to take a standalone novel and turn it into a series – get a notebook and make damn sure you keep really good notes regarding your characters. ALL of your characters. (Even the dead ones.)

I don’t plan. I rely heavily on Ellie to show/tell me the story, she never shows me the end until I’m about to figure it out for myself.

Every book I write has at least two large notebooks attached to it (I’ve kept them all, they live in a HUGE lidded plastic storage bin). The notebooks are for everything I think is important while the story is unfolding. (Formulas for explosives, locations of CCTV, names of people who were killed, partial scenes, chapter summaries (which I write AFTER the chapter is finished), chapter titles (which are always songs), occasionally photos of locations.

Because I’ve written the series and I’ve also written about twenty short stories about Ellie and her team, I have a lot of information in my head. I do trust myself to insert the right name/character detail/reference a lot of the time without checking I was right until I’m almost finished the manuscript.

I don’t usually need to check things regarding Ellie or her team, although I did have an issue with Lee’s eye color in DATABYTE, because I couldn’t remember if his eyes were brown or blue, or if we’d ever mentioned them. They’re brown. His brother has blue eyes 🙂

I have no overreaching plan for the series. I don’t have a development plan for characters either – they evolve as things happen. Maybe because they live in my head and are not confined to a definite set of black and white characteristics they are more fluid and more capable of evolving as the stories progress. Each story emerges through my fingers as Ellie starts showing me video.

What’s coming up for you as a writer in 2017? The 9th Byte book is coming up in 2017. I finished the writing of METABYTE last night and it will be with my publishers and editor by the end of November. METABYTE was previewed at the end of PSYCHOBYTE, and is quite the twisty tale.

Metabyte Preview: SSA Ellie Iverson nee Conway’s world is turned inside out by a late night call from her husband saying his teenage niece, Harley, is missing. Harley’s parents are out of the country and suddenly incommunicado, thus raising Ellie’s internal alert level from yellow to orange. Adding to the rising alert status is the discovery of freshly dead formerly deceased federal agents. Crime scenes and dead agents emerge at an alarming rate. Working under a directive from the Director of the FBI and with the Wayward Son Protocol, Ellie and Delta A try to stem the flow of death. Cryptic messages from missing Ret-NCIS Special Agent Noel Gerrard alludes to the seepage of sensitive data, and then undeniable CIA involvement. Coded messages hidden in attempted hackings of Iverson Technologies provide clues regarding the missing parents of Harley Iverson and a potential link to the Wayward Son Protocol. In the midst of turmoil, the sudden death of a team member leaves Delta A reeling. The team struggles on to uncover layers of deceit culminating in more death. 

Apart from METABYTE, I’m not sure. I expect Ellie will start pushing me to write another book soon enough. I thought 9 was the last, but she seems to think there’s another story to be told…


Cat’s books are published by Rebel ePublishers

For more information about CAT CONNOR and her Byte thriller series, check out: www.catconnor.com

@cat.connor (facebook)

@catconnor (twitter)

Defining (or re-defining) Success

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How do you stay motivated to write when you keep sending out query letters, manuscripts or chapter submissions and getting back form rejections or radio silence?

Let’s take a step back and look at how you currently define “success”. Is an actual publishing contract or agent representation the only way you’ll feel successful as a writer? If so, you’re not alone, this is a very universal goal among writers at any stage. But your unfailing ambition and persistence could be preventing other smaller (and maybe more likely) successes.

Success comes in large and small packages. How it’s defined is deeply personal…and you can change your definition anytime. I recently received an un-rejection by a reputable literary agent in a personalized (not form) email, and to me this felt like my manuscript sample had caught enough of their attention to ascend to a senior editor. Though that editor ultimately passed, they included a note that my story sounded intriguing and that they liked my character’s voice. I defined this response as success (a small one, yes). But if you spend all your time and energy trying to catch big, trophy fish, your artistic heart might starve in the process. In the same way that we take vitamins to supplement the nutrients we don’t get in our diet, a steady feed of small successes will keep you inspired through the process and help you to keep writing!

Aim high; aim low. Of course continuing to target major New York literary agents, as well as publishers directly, is the best chance of getting your work seen by the industry’s primary decision-makers. But with so many major publishers requiring submissions only through agents, you can boost your chances of visibility by including smaller, independent publishers, as well as newer literary agents who are just starting to build their list of clients. New agents are more likely to take a chance on a new literary voice than an established agent. Or if print publishing isn’t your only desire, you might consider a strictly-digital ePublisher. Certain ePublishers, such as Witness Impulse (a division of William Morris) balances their lack of offset printing with massive distribution and huge potential visibility.

Due diligence. Regardless of who you send your work to, keep your submission strategy simple. Go to the publisher’s or agent’s website and read their submissions guidelines, their specific directions, and follow them. Edit your query letter and your manuscript sample right before you send it. Yes, even though you’ve edited it a hundred times already. Resist the urge to include any additional content that wasn’t specifically requested in the submission guidelines. Keep track of your submission with names, dates and results.

Personalize. In the same way that us writers hate getting form-rejections, acquisition editors and literary agents have repeatedly reported that same complaint. An agent doesn’t want to feel like a number – like you’re paging through the Literary Marketplace and mass-mailing the same generic package to everyone. And I’m by no means knocking mass-mailing. I’m saying it’s advantageous to personalize a submission as a means of making an agent or editor feel…well…special. If you haven’t met the agent or publisher you’re querying, research them, learn something about them. Educate yourself about what books they love, where they’re from, what inspires them. Find a conference where they’re speaking and be there. Don’t fake a connection – make one.

Tactics. Here are a few ways to keep focused on your ultimate goal of landing a publishing contract while keeping your mind sharp, opportunities open, and muse fed:

  • You make direct contact (and get a direct response) from a literary agent via Twitter inviting you to submit
  • You learn of a new agent in New York who’s seeking manuscripts in your genre and you send them a query
  • A traditional publisher has now opened submissions directly to authors instead of only through an agent
  • You send a query letter and your recipient asks to see a partial of your manuscript (yeah, baby!)
  • You write a short story and get it published in a literary journal. If you can boost your publishing creds while finding a book publisher, all the better. The same goes for publishing a book review, or being asked to be a guest blogger on a writing blog
  • On your submission tracking list, create a separate section for Successes and list them separately, in bold, in a different color ink to call them out.

One final tip: not if but WHEN you do connect with a literary agent or book publisher who offers you a contract, check out Preditors and Editors to vet them first, read about their reputation, their contract, and feedback from other writers.

How do YOU define success in your writing career? Do you have other ways of keeping yourself inspired and motivated on the path towards publication? Please share your comments with me here, and thanks for reading!

 

 

Well Behaved Pens

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What makes you sit down and write? And what keeps you from writing?

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I’m constantly at this question. I have no time to write, I’m exhausted, haven’t eaten in sixteen hours and slept only 2 last night, yet I find myself crouched on the carpet in the dark in a cramped corner of a room writing by moonlight as if my life depended on it. Then on an easy Sunday with nothing to do and my inviting well lit writing desk staring angrily back, I somehow find laundry to wash, countertops to wipe, rugs to vacuum, bathtubs to scrub, closets to organize. Ridiculous.

What if something as inconsequential as pens were the magic variable? I know – to writers, pens are the farthest thing from inconsequential and are deeply personal, like the traits we search for in a mate. You can’t explain your desire for short blonde women or men with tattoos – it just IS. And the same goes for pen-preference. I loathe fountain pens. To me, they’re heavy, bloated, full of themselves, ostentatious, ridiculously priced, and represent in sum all the human traits I can’t stand.

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Ball Points

These used to be my favorite. Solid, reliable, consistent. The ink lasts longer than you’d expect, they feel comfortable to hold – not too fat, not too slim, and you never have to waste valuable mental real estate on them. Pick me up, drag me across the page, voila!

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Roller Balls

I know, they can be temperamental compared to ball points and this took some getting used to, but their naturally flowy nature and the fluidity of their mechanism drove me to reconsider my narrow views. They’re impetuous, creative, and they surprise you with the unexpected.

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What’s your favorite pen type? Do you keep any special pens, like locked away in boxes or tins that you don’t let anybody use?

Today, buy a gift for your inner writer and reward yourself for the deep work and introspection required by our craft. Buy a new, beautiful pen. Invest money in something that will be your gift of inner travel and exploration, your path toward imagination and escape, something that will make you want to spend money on an exquisite journal. Write a new story in that journal with your new pen, or draw pictures of cartoon owls. Write an impromptu poem about the dying plant on the table, what it intended to look like before it got waterlogged or before sunlight became too hard to find. Write at a big desk, write on the floor. In the morning light, or by candlelight. Writing has such power – with nothing but a pen, we can build a whole world.

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Does your writing life need Feng Shui?

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Curious about Feng Shui but a bit bewildered by it? Good, me too. Read on.

When I first started researching this ancient art of placement and spatial arrangement, I felt totally overwhelmed and daunted. There’s just so much to learn and absorb. What’s a bagua? Why do I need a compass (do I even own one)? From tai chi and yoga, I’ve learned a little bit about energy. But the energy of a room, of a desk, a doorway? To be honest, it sounded a little new-agey to me.

As I continued reading, I started learning more about Qi and realized that the science behind Feng Shui is about maximizing auspicious (beneficial) elements in a room so they don’t hinder the flow of energy. So not necessarily the Qi of a desk, but more like analyzing what objects or situations near or on the desk might be blocking the flow of that Qi.

What does all this have to do with writing? Everything. Writing requires that we harness our inner flow of creative energy and imagination to tell stories. The type of stories doesn’t matter. Fiction, nonfiction, they’re all ultimately stories. Writing is hard work and requires not only time but commitment and focus. And small changes can make it easier and more fun.

Where do you write? Lying on the floor with a pen and journal, on the couch with your iPad, noisy coffeeshop, or upright at a desk typing on a keyboard? Do you feel that your typical writing location helps or hinders your flow of creative energy? If you haven’t yet uncovered your perfect writing spot or if you dread the very sight of your desk, simple Feng Shui changes could make a huge impact on how that space feels. Like anything else, it’s best to consult a trained expert on the subject, and I’m the farthest thing from that. But I have spent a couple of years reading about tips and tricks and I can attest to their efficacy in how they’ve helped me feel focused, productive, and excited about going to my writing space at home. I’ve also included lots of links in this post to Feng Shui experts and consultants.

We all have too much clutter in at least some area of our lives. Hopefully your writing desk doesn’t look like this:

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Aside from the obvious hoarding tendencies, lack of organization and a 45-year old chair, this space lacks a few other essential elements – lighting, for one thing. Check this out:

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So the desk/writing surface here is large, which is great. And they’ve got an ergonomic adjustable arm for a computer monitor, which saves tons of space. Love it! More points for the live plant in the corner of the desk. But the best part, of course, is the huge French window with a view of the woods. A nice view, simply put, will make you want to be there. Even if your writing space looks nothing like the picture above, I guarantee you could make your space feel just as aesthetic and inviting, and it might be easier than you think.

Some basic tips:

Don’t use a u-shaped desk or arrange your desk facing a wall, as these orientations could make you feel boxed in. There should be enough space for you to walk completely around your desk and it should preferably be facing the entry to the room. Situate your desk katty corner facing the door for an optimal “command position”.

Don’t put a trash can beneath the desk, as this could impact your writing success. Why? A trash can or waste container is likely to attract challenging, low-energy vibes. Set it out from under the desk and empty it frequently so as to not cause stagnation.

Stimulate your creative juices by hanging inspiring art or decorative objects on the walls. Find an image that makes you feel good, gives you energy, and draws you in. I prefer abstract art because, to me, it looks like a question that wants to be answered.

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Manage clutter! I have no drawers in my writing desk, which is a constant challenge causing me to be creative about what I store and where. I found an open, 3-shelved bookcase, which is perfect for housing decorative office storage boxes. You can find them in almost any color and size to match the vibe and color scheme of your home office.

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Confession: I’m obsessed with pens. I gather, collect, store, and hoard them, and openly steal them from my friends and colleagues. As a lifelong writer, I seriously feel on some level that all pens are just simply intrinsically mine. So one of my most successful de-cluttering tactics was to a) locate all my pens, b) pitch hundreds (literally) of broken, inkless relics, c) buy new ones, and d) display them on my desktop. Releasing that which we no longer need makes s p a c e in our lives and minds for more useful things, like ideas.

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To read more about desk organization, click here.

Next: cables. Look under your desk. What do you see?

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Even if your desktop is clean, well-organized and aesthetic, an atmosphere of unaddressed chaos beneath it can sabotage your writing process. How about this?

IKEA-Signum-Cable-Organizer

Check out cableorganizer.com for ideas.

If after renovating your writing area you’re ready to get serious about Feng Shui, you can easily find a certified Feng Shui consultant online in your area. Typically an initial consultation takes 2-3 hours, and be prepared to take lots of notes! They’ll prepare a list of recommendations along with alternatives. In other words, if you’re not willing to move your home office out of the damp basement, they’ll recommend ideas for making that environment more hospitable and conducive to how you want to use it.

Want to learn more?

http://life.gaiam.com/article/how-feng-shui-your-home-office

http://video.about.com/fengshui/Feng-Shui-for-a-Home-Office.htm